In memoriam FAU Associate Music Professor RICHARD WRIGHT (1922-2010)


In memoriam RICHARD WRIGHT (July 16, 1922 – April 12, 2010)

RICHARD WRIGHT (July 16, 1922 – April 12, 2010)

In Memoriam
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Operatic tenor and conductor Richard Wright was born in Mansfield, Ohio on July 16, 1922, and died in Salisbury, Maryland on April 12, 2010. Fortunately for me, for some of the time between those dates he was an Associate Professor of Music at Florida Atlantic University in Boca Raton, which is where I began undergraduate studies in 1973.

Mr. Wright was as kind and generous a voice teacher as one could hope for, as well as a gifted conductor of everything ranging from a cappella choral works to Menotti's The Consul. And that was just during my brief stint at FAU, which also included the special highlight of him conducting the 1974 Florida premiere of Leonard Bernstein's Mass, as well as Puccini's Madame Butterfly at the International Music Festival in Miami.

Judging from his teachers--including Richard Bonelli, Darius Milhaud and Arnold Schoenberg (see the clipping, below)--I'm guessing somewhere along the way young Richard must have attended the Music Academy of the West summer conservatory (founded near Santa Barbara, California in 1947). As a singer (and I hope I'm remembering this correctly) he appeared in opera productions in Germany and at New York City Center. He also was a soloist with the Robert Shaw Chorale and was featured in a few of their recordings, such as his supporting role in Leoncavallo's Pagliacci with Victoria De Los Angeles and Jussi Björling.

Prior to joining the faculty of Florida Atlantic University, Mr. Wright had moved to Florida to teach at Marymount College (now Lynn University) in Boca Raton in 1965. After retiring from FAU in 1992, his European travels included adventures in hot-air balloons and on the Orient Express.

Into his 80s, Richard (as he insisted I finally must address him) moved into an assisted living facility in Maryland. Although he was a bit miffed by the occasional lack of privacy there, he never lost his world-class sense of humor. In fact, if you asked for a description from pretty much all the folks who knew him, it's likely "witty and hilarous" would top their lists.

Richard Wright, you made a big difference in the lives you touched, and you are missed.
 






🎵 T R I B U T E S

Find TRIBUTES from Richard Wright's FAU Colleagues Rebecca Lautar and Clark Bell, shared on the
Holloway Funeral Home's obituary page.
(Once there, click on the "Tribute Wall" link just under the landscape photo, in the center of the page next to "Obituary & Events")


Rebecca Lautar (April 15, 2010):
Richard was my first contact at Florida Atlantic University. He picked me up at the Ft. Lauderdale airport in his little red sports car and had me laughing the whole drive to Boca! I wasn't nervous about my interview here after that, and I got the job. You had to understand his humor--witty and biting. He said the biggest mistake he made in life was getting off the plane and driving north on the highway (to Boca). He said he should have gone south instead, to live in the Keys. However, after he retired, he made sure to drop in on us at FAU whenever he could, and I always enjoyed the surprise of opening my office door and seeing Richard there, with his big smile, and his question do you remember me??! Of course I did, who could forget him? :)   Richard really cared about his students and wanted them to succeed. He was very honest about what was going on here at the university in those days--it was not a very inspiring place to teach at that time, but he really wanted students to get better and do well in life. He didn't suffer fools gladly, but if someone was working very hard, he would make sure their work was validated. He was a great supporter of my efforts here, and I realized then that even if you don't end up in a place you thought you would be (or should be), you could still do your best, like Richard did.
Clark Bell (April 17, 2010):
Richard Wright was one of a kind. He was a most humorous gentleman, and wit was his specialty. I was priviledged to play trumpet for some of his choral presentations at the Boca Raton Pres. church as well as deal with him as a coworker on the FAU Music Faculty. I was priviledged to sing the role of Kaspar in a few of his Ahmal and the Night Visitors performances. His ballooning over Europe and his Oriental Express train journeys gave us all encouragement that there really was life after FAU. I have tried to emulate that concept in my retirement by learning to ski black diamond ski runs after the age of 70. Thanks, Richard for your leadership both musically and in retirement. God Bless! - Clark Bell, Associate Prof. Retired, Longmont, Colorado






🎵V O I C E   S T U D E N T   I N T E R V I E W

1971 Interview with Annette Montalvo, a voice student of Mr. Wright
(The complete article, including the bits about the other two students, can be found HERE.)






🎵W E L C O M E   T O   F L O R I D A
Excerpt from https://spiral.lynn.edu/cgi/viewcontent.cgi?referer=&httpsredir=1&article=1007&context=marymountprogress

NOTE: Although the clipping says "five seasons" with Robert Shaw, their association was obviously at least 12 years since their recording of West Point Song (below) was made in 1950, and the article mentions their Russian tour in 1962. And, since the Chorale lasted until 1965, the same year Mr. Wright started at Marymount, I wonder if the article was meant to say "intermittently for fifteen seasons" with the Chorale, rather than only five?






🎵R E T I R E M E N T   A N N O U N C E M E N T








🎵 S C H O L A R S H I P   E N D O W M E N T

The Richard Wright Voice Scholarship
was endowed by the late Mrs. Roy Bickerton in honor of Mr. Wright.
For more information on the scholarship, go to Petersons.com







🎵 R E C O R D I N G

Sigmund Romberg conducting his West Point Song, from the 1928 musical Rosalie (recording: 1950)
featuring the Robert Shaw Chorale, with soloists Warren Galjour (baritone) and Richard Wright (tenor)


The WESTPOINT SONG is item 12 in the booklet for the Naxos reissue of the recording.






🎶

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